I’ve moved from a contract position to a full-time position at the Art Institute of Chicago. This means I’m no longer working on singular projects, but I’m digitizing the film archives of collections and exhibitions documentation, editing files from the digital archives, and fulfilling internal and external image requests. It’s nice to transition to a new job when you’ve already been working in the department for half a year, but I still have much to learn.
Having worked in the imaging department of three LAM institutions in Chicago, it’s been interesting to compare how each gets things done, and what priorities are. There are always strengths and weaknesses. I’m happy to be working with equipment that is fully up-to-date at AIC, and while there’s never enough man power in non-profits, it’s nice to be working with a team of nearly a dozen rather than two or three other professionals.
This is an image of the department’s Imacon drum scanner. I’ve never had the chance to use one of these types of scanners before, and the quality of the files it creates certainly is impressive.