Art Institute of Chicago - Moholy-Nagy: Future Present

In December, I finished up the first of four online classes I’m taking through George Washington University. The certificate program is focused on museum collections management and care, and I’ve learned so much already. Since the program is restricted to those already working or volunteering in the field, it has meant that I often learn as much from my classmates as I do through the class itself. Some amazing stories have been shared about experiences in collections, and there have been opportunities for us to pool our knowledge to help in times of need.

The first class was focused on preventive conservation, including the primary agents of deterioration and the different material types commonly found in museums. With this knowledge, I was able to assess the National Public Housing Museum exhibit installed for the Chicago Architecture Biennial, and report on next steps for degrading institutional film archives at the Art Institute of Chicago. I’ve even seen my education at work while touring one of AIC’s recent exhibits - Moholy-Nagy: Future Present.

As a multimedia and experimental artist, Moholy-Nagy embraced new materials, including plastics. The materiality of different formulas produced desirable effects for the artist; unfortunately, many of these developing synthetics also degrade quickly. There were conservation notes next to some of the pieces, explaining research that was done and components that had to be replaced over the years. Many of the artworks that featured plastics also incorporated other material, including metal, paint, and wood, further complicating their care, storage, and display.

Understanding some of the basic principles of conservation makes me appreciate the work that goes into exhibits like this one that much more, and it makes me excited to learn more about conservation and collections management.